Planes, Trains and Automobiles [Those Aren't Pillows Edition]

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Synopsis

Were it not for its profanity-laden opening scenes, John Hughes' Planes, Trains and Automobiles might have been suitable family entertainment: certainly it's heaps less violent and mean-spirited than Hughes' Home Alone. En route to Chicago to spend Thanksgiving with his family, easily annoyed businessman Neal Page (Steve Martin) finds his first-class plane ticket has been demoted to coach, and he must share his flight with obnoxious salesman Del Griffith (John Candy). A sudden snowstorm in Chicago forces the plane to land in Wichita. Unable to find a room in any of the four-star hotels, Neal is compelled to accept Del's invitation to share his accommodations in a cheapo-sleazo motel. Driven to distraction by Del's annoying personal habits, the ungrateful Neal lets forth with a stream of verbal abuse. That's when Del delivers the anticipated (but always welcome) "I don't judge, why should you?"-type speech so common to John Hughes flicks. The shamefaced Neal tries to make up to Del, but there's a bumpy time ahead as the mismatched pair make their way back to Chicago, first in a balky train, then by way of a refrigerator truck. We know from the outset that the oil-and-water Neal and Del will be bosom companions by the end of Planes, Trains and Automobiles, but it's still a fun ride. The best bit: a half-asleep Del thinking that he's got his hand tucked between two pillows -- until his bedmate, Neal, bellows "Those aren't pillows!" ~ Hal Erickson, Rovi

Chapter List

Disc #1 -- Planes, Trains and Automobiles
1. Scene 1 [:00]
2. Scene 2 [:00]
3. Scene 3 [:00]
4. Scene 4 [:02]
5. Scene 5 [:00]
6. Scene 6 [:00]
7. Scene 7 [:00]
8. Scene 8 [:00]
9. Scene 9 [2:42]
10. Scene 10 [4:24]
11. Scene 11 [2:25]
12. Scene 12 [:02]
13. Scene 13 [4:15]
14. Scene 14 [4:55]
15. Scene 15 [5:02]
16. Scene 16 [3:30]
17. Scene 17 [1:24]
18. Scene 18 [1:32]
19. Scene 19 [2:14]
20. Scene 20 [2:27]
21. Scene 21 [2:12]
22. Scene 22 [4:55]
23. Scene 23 [3:33]
24. Scene 24 [5:36]
25. Scene 25 [2:47]
26. Scene 26 [:02]
27. Scene 27 [4:27]